Spring 2002
Volume 95, Number 3


Something they can do


The Statue of Liberty overlooks the Manhattan skyline, where two powerful beams of light shoot upward, memorializing victims of the Sept 11 attacks. (AP photo/Daniel Hulshizer
What do you say when tragedy strikes? Probably the most common words spoken on such occasions are these: “Is there anything I can do?”

In the aftermath of the World Trade Center and Pentagon disasters in September, many Americans and citizens of other countries did what they could. Some offered prayers; some wrote checks to relief charities; some donned helmets and spent hours, days, weeks, months, rummaging in the rubble for survivors and, later, victims. Some wrote or taught about world peace; some responded by planning for war.

Beyond a doubt, there were Phillips Academy alumni taking action in all of the above categories. Recently, the Andover Bulletin learned about four whose lives were changed by their participation in ways small and large.

Burke Dempsey '80
A Wall Street barn-raising

If you didn’t know of Cantor Fitzgerald before last summer, you do now. It will always be Sept. 11’s biggest casualty, the firm that lost 658 people. Few will ever
forget the TV footage of its sobbing chief executive, Howard Lutnick, reporting that not one single member of his company made it out of the World Trade Center alive and telling how his own life had been spared because he had taken his son to his first day of kindergarten.

Most likely you wept along with him for those faceless hundreds. But for Burke Dempsey ’80, the WTC was not an urban monolith populated by faceless people in gray suits. It was the business address of associates and friends. As managing director of the banking investment firm UBS Warburg LLC, he worked particularly closely with clients at Cantor Fitzgerald, which occupied the north tower’s top five floors.

“The men I knew at Cantor were mostly 40 or younger. They were smart and vibrant, in great shape. If anyone could have made it down those stairs or figured out a way to get out, those guys would have. But they were trapped,” says Dempsey, who learned of the disaster as he sat helplessly in a taxicab.

After a sleepless night at home in Greenwich, Conn., where he and his wife concentrated on keeping their two young sons away from the TV, the Stanford University graduate hit Manhattan on Wednesday, Sept. 12, determined to “do something.”

First he checked in with Cantor Fitzgerald’s attorney, who had set up a recovery center in his midtown offices.

“They had this bank of phones, all ringing. It was surreal. You’d pick up the phone and talk to widow after widow who wanted to know if her husband was on the ‘safe’ list. But there was no ‘safe’ list—just the list of people who hadn’t gone to work that day. It was kind of a reverse Darwinism, where everyone who’d been early to work perished, while those who had been late or decided to go play golf were saved,” he says.

Dempsey’s next priority was to help Cantor Fitzgerald reopen for business the next day—because, he says, “Cantor is the heart and soul of the bond market, and the bond market is the bedrock of the economy. You can’t just not open the bond market.”

The company had lost approximately one-third of its employees. Besides the CEO, survivors included a systems group who had planned a fishing trip the previous day, those who’d been late, sick or on vacation, a handful who were traveling or attending off-site meetings, colleagues from Cantor’s offices in London, Chicago and Los Angeles, a woman who’d had the good luck to be laid off on Monday. The next challenge was to find a workplace for them.

Dempsey arranged for Warburg to open an abandoned trading floor at its Park Avenue address, then asked his co-workers to help get necessary partitions, office furnishings, an entire electrical infrastructure, and computer and telecommunications systems into place at warp speed. With the zeal of neighbors at an old-fashioned country barn-raising, nearly 100 of them rolled up their sleeves and got to work.

“Everyone wanted to participate. It was a way to allow people not to feel helpless any more. It was the most powerful display of professionalism and humanism I have ever witnessed, and I wanted it never to end,” he recalls.

Six months later, Dempsey reports, the Cantor folks were still camped out at Warburg, but were getting ready to move on in late spring.

“As the company grew again,” he says, “the space became too small. They’ve been packed in there, and the place has been booming with trades and noise and activity. They’ve been flooded with resumes, and, miraculously, both Cantor Fitzgerald and its major subsidiary, eSpeed, turned a profit in the fourth quarter amidst absolute Armageddon. It’s phenomenal to see!

“I liken it to a major forest fire that sort of burned all the trees around; there are charred remains everywhere, and yet, on this one tree, there are signs of green. The buds are sprouting, and it’s starting to grow again.”

Dempsey will never forget the pain of fall 2001—“between my colleagues and I, we went to dozens of funerals,” he says—but he will also not forget the unusual show of Wall Street camaraderie.

“For a moment,” he says, “I felt connected to other people in a really intimate way.”


Chris Wray '85
Chris Wray ’85 moved to Washington in May 2001 to join the Bush administration’s justice department, having been recruited by former colleague and mentor Larry Thompson, the No. 2 person in the department, to be his principal deputy.

Four months later, the pace of his work abruptly quickened. Since Sept. 11, Wray’s universe swirls with round-the-clock meetings, conference calls, high-level briefings, strategy sessions and budget oversight. His hours are long, “and it’s not just the quantity of the hours, but the pace of the hours—it’s pretty relentless. It’s unforgiving,” he says.

Wray’s work blends traditional law enforcement with some aspects of what is now called homeland security. He says, “Under the leadership of the president and the attorney general, there is now a much more sharpened focus on prevention as opposed to prosecution.” With terrorist perpetrators intent on harming U.S. citizens even when it means killing themselves, the more traditional prosecutorial process “is a lot less effective,” he says. The justice department is now concentrating on disrupting terrorist plots, taking up the model of Robert F. Kennedy and his campaign against organized crime. “Kennedy used to say that if he found a mobster jaywalking, he’d lock him up for jaywalking. Likewise, here, we are attempting to identify those who would harm innocent Americans and derail those efforts before they are successful,” he says.

A native of New York City and a graduate of Yale and its law school, Wray, who lives in Bethesda, Md., with his wife and two young children, was previously a litigator with the firm of King & Spalding in Atlanta. He left to become a federal prosecutor for the U.S. attorney’s office in Atlanta, where he prosecuted everything from fraud to racketeering, murder for hire to guntrafficking—“everything you can imagine,” he says. Everything, it seems, except terrorism.


Seth Moulton '97
Despite what was written in U.S. News & World Report, Sept. 11 events did not change the plans of Seth Moulton ’97; they merely substantiated them.

“Leaving church on a Sunday several weeks ago,” columnist David Gergen wrote in the Dec. 24 issue of the magazine, “Seth Moulton posed a haunting question. Moulton is a clean-cut, good-looking young guy who graduated from Harvard last spring and represented his class as commencement speaker. ‘I had been planning to go to Wall Street for a while,’ he said. ‘Now, with what’s happened, I think I should give some time to the country.’”

But Gergen had it wrong, Moulton says; with or without 9/11, he already knew he wanted to join the Marine Corps.

“I have a degree in physics, but I knew I didn’t want to spend my life in a lab,” he says. “I wanted to do some sort of service. I chose the Marine Corps for the same reason I chose Andover and Harvard—I wanted the best.”

After Sept. 11, when war seemed imminent, some of his friends and family thought he would change his mind, but the attack on the United States just strengthened his resolve.

“Sept. 11 cemented the decision in my mind. Suddenly, joining the military wasn’t just good for me, it was important for the rest of the country,” he says. “After Sept. 11, a lot of people weren’t sure how to help, but I was confident I was doing the right thing.”

Last fall, Moulton was sent to Officer Candidates School
in Quantico, Va., for 10 weeks of leadership evaluation. He graduated on March 29 and was commissioned as a second lieutenant. He’s currently at The Basic School, where all newly commissioned officers report for training as infantrymen, in the event they become involved in battle.

Moulton will serve in the Marine Corps for a minimum of four years, all the while learning what he hopes will be “tremendous leadership skills.”

“A lot of my friends and classmates have seemed a bit lost and unsure of themselves lately,” he says. “Many aren’t sure what they’re getting out of their jobs. What I’m doing is tough, but I’m glad to be here.”

How unusual is it for a young Ivy League graduate to make a choice like Moulton’s? Unusual enough that, before he left for Quantico, CNN invited him
to appear on “The Point,” where he explained his decision to join the military.

“We can talk a lot about what we wish we did in the past and the kind of world we’d like to have for the future,” he said, “but this is not just a question of what we want for tomorrow. It’s a question of what we’re willing to do today.”

“I feel very fortunate, because my work with children and with the memorial committee has helped me to work through and deal with this terrible disaster, so I feel like I’m actually making a contribution—I’m actually doing something.”

Jennifer Cecere '69

Jennifer Cecere ’69, an installation artist who has been showing work in New York and around the country for 25 years, is going to help make sure no one forgets last summer’s horror. She was invited in October to be a member of the Memorial Process Committee of the New York New Visions Coalition. Her group of some 20 designers, architects, city planners, landscape architects and artists is responsible for development of design and planning recommendations for memorials throughout the city for those killed on Sept. 11.

The Memorial Process Committee is one of several committees under the umbrella of New York New Visions, now working on different aspects of revitalizing and rebuilding lower Manhattan, Cecere’s own neighborhood. Her group meets at Van Alen Institute, a not-for-profit organization that runs many important architectural and art competitions around the world. Here they work with the National Endowment for the Arts and others, including representatives from the Port Authority, New York City Planning Department, the Park Department and the Museum of the City of New York. Eventually, there will be a competition for a permanent memorial. But because the permanent memorial process could take years—in Oklahoma City it took five years before a permanent memorial was in place—the committee will open up different types of competitions for temporary memorials. “Un-solicited designs and ideas have just been pouring in,” she says. First and foremost in her mind is “keeping the competitions as open and democratic as possible; anyone wanting to submit ideas can. Don’t forget,” she says, “the Vietnam memorial in Washington, D.C., was designed by a student.” The most prominent among the temporary memorials Cecere’s committee endorsed was the one that featured twin columns of light beaming blue light a mile high into the night sky.

Another project that ties Cecere closely to the tragedy is an art residency at a school in Ozone Park, Queens, funded by the New York Times Foundation Art Rescue Fund, where she works with seventh- and eighth-graders on hand-made books about Sept. 11.

Cecere earned a B.F.A. degree from Cornell in 1973. Her installations are objects that resemble furniture and are assembled to evoke rooms. One piece, commissioned by the Metropolitian Transit Authority, is a group of welded iron and steel chairs installed in the Union Square subway station.

Of her current activities, Cecere says, “I feel very fortunate, because my work with children and with the memorial committee has helped me to work through and deal with this terrible disaster, so I feel like I’m actually making a contribution—I’m actually doing something.”


Kennan Daniel, Theresa Pease and Paula Trespas contributed to these accounts.


Spring 2002