Volume IV, 2000


Contents

     "The Hardy Birthplace in Snow" . . . a photograph courtesy Dave Sands

     "The Voice: A Musical Setting" . . . . . . . . . . . . . . . . . . . . . . . Sean Vernon

     "Thomas Hardy Country" . . . . . . . . . . . . . . . . . . . . . . . a web site review

     "Buying Hardy, Big Time" . . . . . . . . correspondence with Bill Morgan










"The Hardy Birthplace in Snow"


Hardy's Birthplace in Snow

This photograph appears courtesy Dave Sands,
the webmaster of "Thomas Hardy Country," reviewed
below.
It was taken by Terry Linney, the custodian at the Cottage.







"The Voice"

A Musical Setting by Sean Vernon


Sean Vernon


    Sean Vernon is a singer, songwriter, teacher, and lover of poetry. He has written settings for more than 150 well-known poems, works by Blake, Burns, Cummings, Dickinson, Housman, Millay, Shakespeare, Wordsworth, Yeats, and heaven knows who else. His music is accessible but complex, thoughtful, songlike, often sweet, sometimes playful. Vernon has composed settings for 3 poems by Thomas Hardy -- "The Ruined Maid," "In Time of 'Breaking of Nations'," and "The Voice."


The Voice


Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!

Or is only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever dissolved to wan wistlessness,
Heard no more again far or near?

    Thus I; faltering forward,
    Leaves around me falling,
Wind oozing thin through the thorn from norward,
    And the woman calling.


December 1912



Click on the title to hear the setting:

"The Voice"

(3:21, RealAudio file, 392K)



Recorded December, 1999,
Sean Vernon, vocal and acoustic guitar
Jeff Kelliher, acoustic guitar.

             ©Sean Vernon, 1999




A page for "The Voice" exists on the "Poem-of-the-Month" discussion on The Thomas Hardy Association web site. To view what has been said about the poem, and perhaps add commentary of your own, click
here.


RealAudio (RA) files are highly compressed and thus they stream, allowing the sound to be played while it is being downloaded. RA files may require downloading a RealAudio Player. If your computer does not have an RA player, you may download one free:



  Below is a clip of Sean Vernon and Jeff Kelliher performing "The Voice" at Phillips Academy on January 20, 1999.

(This file is large -- about 1MB)

    
Sean Vernon



Movie clip is in QuickTime format. If you do not have QuickTime soft ware, you may download it by clicking on the icon below.

     Download Quicktime



Sean Vernon has recorded two CD's: Wider Than the Sky, settings of fifteen poems by Emily Dickinson; and Four Williams, settings of poems by Shakespeare, Wordsworth, Blake, and Yeats. Information may be obtained at the following address: P.O. Box 431, Hadley, MA 01035.






Thomas Hardy Country

A Web Site Review

     It is always a treat to discover new web sites that relate to Hardy. One that has appeared during the last two years is Thomas Hardy Country, "a warm welcome to Dorchester." "The object is to give news and views of Dorchester for persons interested in Thomas Hardy that live far away." The page does just that. On the front page, in the lower left corner, the day's weather for Dorchester is set out. There are pages of news, travel information, photographs of Hardy sites and wild flowers of Dorset. There is a Jim Gibson poetry page, presently with his discussion of "The Darkling Thrush," illustrated with photographs of a thrush (not, however, darkling) and a coppice gate. (Jim Gibson, formerly president of the Thomas Hardy Society, is the editor of The Complete Poems of Thomas Hardy.) Recently added is a page devoted to the William Barnes Society.

     The host of this enthusiastic presentation is Dave Sands, a "Dorchester business man." In his careful assessment of the site ("Thomas Hardy Links," A116) Bob Schweik mentions that Mr. Sands, the owner of The Paper Shop, has designed a site "to provide information for those interested in Hardy and Dorchester."

Cross-in-Hand      There are also more than fifty photographs, all carefully identified as to their subject matter, on the web site. The photographs are clear and well-framed, but Mr. Sands is careful to assert, "I am not a professional photographer." In consequence he generously offers the photographs to whoever wants them: "Please feel free to use them if you wish. I took them myself but personally claim no copyright." He is even willing to take more photographs for those who need the image of a particular Hardy site. At the right is Mr. Sands's photograph of the "Cross-in-Hand Stone," the subject of Hardy's poem "The Lost Pyx." A page is devoted to this poem, with several photographs of the pillar, which is located a few miles northwest of Cerne Abbas. The Cross-in-Hand is also featured in Tess, the spot where Tess swears an oath to Alec d'Urberville.

     One hugely ambitious bit of web-mastery is a Hardy chat page. (The chat technology is a product of Planet Z Networks.) Mr. Sands suggests that chatters arrange a mutually agreeable time to converse, which makes sense, since it seems doubtful that Hardy enthusiasts would often spontaneously reach critical mass in an on-line chat room.

     In fact, what Mr. Sands has done is to show what enthusiasm, opportunity, and a smattering of HTML can do. He is absolutely clear that he is not a scholar, first of all. He writes in a recent letter, "Thomas Hardy is not my business; it is my pleasure, and I must add my wife's, also." Out of his interest he offers to assist others in obtaining Hardy-related books and maps, including a couple of Japanese volumes illustrated on the "Books and Guides" page. A buyer needs to describe the covers of these last books because Mr. Sands can't name them: "I don't know the title because I don't read Japanese." (He does travel to Japan; he reports that he has bought a digital camera there with which "I hope to improve the photographs.") Nonetheless he is an enthusiastic amateur Hardyian, with the energy and perspicacity to involve experts like Jim Gibson in his labor of love.

     In sum, Thomas Hardy Country, "a warm welcome to Dorchester" offers non-resident aficionados of Thomas Hardy an invaluable asset: an introduction to a Dorset resident who will welcome them to Wessex, help them find lodging, and offer them resources in learning more about the object of their interest.

     Hardy enthusiasts are urged to visit this site. Click below:

Hardy Country, A warm welcome to Dorchester.






Buying Hardy, Big-Time

Bill Morgan Helps the Editor Make a Purchase



Bill Morgan [Bill Morgan is Professor of English at Illinois State University. An internationally known specialist on Thomas Hardy, he directs the Poetry Page and the Poem-of-the-Month Discussion Page on the Thomas Hardy Association's web page. He is also knowledgeable about book collecting in general and Hardy collecting in particular -- and thus he has served as a friend to a friend in need.]





To: Bill Morgan 4:41 PM 4/8/00 Re: 1912 Edition of Wessex Tales

Dear Bill,

I'm wondering if you have any good advice about this. A friend who runs an antiquarian book shop in town has acquired a lovely set of the 1912 Wessex Edition. It consists of 18 consecutively-numbered volumes of "Prose" (novels and short stories) and 5 (con.-num.) of "Verse." The bindings are 3/4 (?) leather -- i.e. leather spines and leather triangles at each corner -- green cloth, green marbling, gilt edge. Macmillan is the publisher, the binding is credited to Dickens and Son Ltd.

He thinks they're the goods, and I think they look pretty much like the goods too. Lovely condition. But are they complete? And what's a fair price if they are? He's offering them at $1K, and he thinks that's a good deal. I don't dispute him, but I'd love some confirmation. He says he'll hold them for a few days while I ask around.

Do you know about this? Or do you have a friend who can give a quick estimate? I know that without seeing them it's all a crap shoot, but I'm willing to trust my estimate of their condition. It's the facts of the edition itself that I'm not completely clear about. I'd certainly appreciate any help you can give.

Best, John




To: John Gould 6:51 PM 4/8/00 Re: 1912 Edition of Wessex Tales

Good afternoon, John--

It sounds as if your friend has a re-bound Wessex Edition, missing one volume of the verse (there should be 6, not 5). It would be worth a good deal more if it weren't re-bound, and of course the missing volume of verse (I'll wager it's the last one) is a problem; but I don't see how you can go far wrong at the price. It's a classy, well-produced edition on very high quality paper. In original cloth, the Wessex Edition complete goes for several thousand dollars. Here's the list of the edition (from Purdy, pp. 282-5):

      1. Tess--1912
      2. Madding Crowd--1912
      3. Jude--1912
      4. Return--1912
      5. Mayor--1912
      6. Woodlanders--1912
      7. Greenwood Tree--1912
      8. Life's Little Ironies--1912
      9. Wessex Tales--1912
      10. Blue Eyes--1912
      11. Trumpet-Major--1912
      12. Two on a Tower--1912
      13. The Well-Beloved--1912
      14. Noble Dames--1912
      15. Desperate Remedies--1912
      16. Ethelberta--1912
      17. Laodicean--1912
      18. A Changed Man--1914

      1. Wessex Poems & Past & Present--1912
      2. Dynasts 1 & 2--1913
      3. Dynasts 3 plus Time's Laughingstocks--1913
      4. Satires of Circumstance & Moments of Vision--1919
      5. Late Lyrics & Queen of Cornwall--1926
      6. Human Shows & Winter Words--1931

Herman Lea's Thomas Hardy's Wessex was also issued in 1913 in a matching format.

I would ask the seller to check the dates against the volume titles; if they match, there's not much doubt that what he's selling is the Wessex Edition--and it's a very desirable edition in any condition.

I've copied this note to my friend Mark Simons, who runs the Collecting Hardy's Poetry sub-page; he may have more to say about prices. You could of course write directly to him. And in case you haven't visited, I suggest you have a look at his Collecting page, where there's a little information about the Wessex Edition:

     
http://pages.ripco.net/%7Emws/collect/Collect.html

Let me know if you have other questions, but my advice is that unless you discover some information that suggests it's not the Wessex Edition, buy it.

Bill




To: Bill Morgan 6:15 PM 4/11/00 Re:1912 Edition of Wessex Tales

Dear Bill,

Thank you so much for the speedy and complete reply re the Wessex Edition. It matches your criteria (there was little doubt) and so I went, took a deep breath, and wrote a check. The set is now in our living room. Whew.

I do have one more (naive) question. Why is it called the 1912 Edition, when much of the poetry was published well after 1912? Does that have to do only with the introductions Hardy wrote for the novels? Did people buy them year-by-year, adding the newer volumes as they were issued?

All thanks and best, John




To: John Gould 7:23 PM 4/8/00 Re: 1912 Edition of Wessex Tales

Evening, John--

Well, congratulations! Glad you did it. Are you? Which volume of the poetry is missing--the last one as I guessed? (If the gods are smiling on you, it'll be SC & MV you need--since I have an extra copy of that volume. If you decide you want to look for your missing volume, I might be able to make some suggestions about places to look.)

The short answer to your question is that it's not--so far as I know--called the 1912 edition. To my knowledge, it has always gone by the monicker of The Wessex Edition. You will have noticed that a large number of the novels--starting with the most popular--came out in 1912. If you check Hardy's letters to Macmillan after 1912, you'll see him quietly campaigning for volumes of verse to be added to the edition. The last volume of verse of course came out after his death.

Anyhow, glad you own the thing. Hope you enjoy it.

cheers,

Bill




To: Bill Morgan 10:37 PM 4/11/00 1912 Edition of Wessex Tales

Dear Bill,

I'm very excited about owning it. I brought FFMC into my classes today to show it to them, since that's the novel we are studying, and they covered a range of reactions from bemusement to astonishment (at the price) all the way to real interest. A few probably thought I was a bit potty.

And as for the missing book. Well, yes, it is volume 6 of the poetry, "Human Shows & Winter Words," that isn't there. And if I try to find it, shouldn't I look for a rebound edition to match the rest?

Perhaps the reason it's missing might be that this set was purchased before 1931 when the last volume was released?

My only real searching for old first editions so far has been Anthony Powell's DANCE TO THE MUSIC OF TIME sequence, which I admire hugely. I'm pretty good on the last 9 of those, but good copies of the first 3 are very pricy. Any hints you can give me about the final Wessex Edition volume would be greatly appreciated.

John




To: John Gould 10:37 PM 4/11/00 Re: 1912 Edition of Wessex Tales

Hi, John--

You probably wouldn't find the missing volume of verse already bound to match your others, and yes, I bet you're right that the previous owners had already bound all the other volumes when the last one came out. One approach might be to try to research the binders and see if they are still in business and willing to bind a copy of the last volume to match the others--assuming you find one. Or, any good bookbinder might be able to match what you have. You might check around for local binderies and take a volume of your set to them for an opinion on whether or not they can duplicate your bindings.

Here's a web address for a search engine that might turn up odd volumes of the Wessex Edition:

     http://www.bookfinder.com

Then there's always ebay. And when you're in England this summer stop in every used book store you pass. You should be able to buy it for $25-50, I should think. It wouldn't hurt to let Jim Gibson know you're looking for it: he has a sharp eye for bargains in used book stores. You might also let Mark Simons know that you're looking. I'll keep you on my mental watch-list.

I have the same edition--did I tell you already?--but I was lucky enough to find it complete and in original cloth. So I know what you mean about the deep breath and writing the check. Congrats again.

cheers,

Bill





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Last Update: 4/18/00