
Jim
Hodges: colorsound
Pulling
poetry out of the humble, Jim Hodges (b. 1957) transforms ordinary materials
such as paper napkins, light bulbs, and silk flowers, into objects and
installations of delicate and dazzling beauty. Most recently he has
added sound and music to his artistic palette. As this spring's Edward
E. Elson artist-in-residence, Hodges collaborated with over 100 students
from Lawrence High School and Phillips Academy to create the "soundtrack"
for colorsound: a visual and musical installation.
Included in this exhibition is a selection of recent works that lay
the groundwork for this new installation. Subway Music Box, 2000 represents
the artist's first experiment with music. This multi-projection video
installation documents 24 musicians whom the artist encountered while
traveling on the New York City subway. Arranging the found musicians
and music into a single symphony of movement and sound, Hodges exposes
the beauty that exists in unexpected places.

Jim Hodges, Picturing That Day (detail), 2002, collage
in two parts, courtesy of CRG Gallery, New York
Building on Subway Music Box, Hodges then created a series of drawings
that further explore the relationship between sound and vision. The
Addison's installation is a visual and audible realization of a collaged
sheet music drawing created in 2001. To create this particular drawing,
Hodges went through hundreds of pieces of sheet music in search of instances
where a song's lyrics mentioned color. He then cut out all of the color
references and corresponding notes from their original compositions
and spliced them together to create a diptych or duet.
As part of his residency, Hodges returned to this drawing which served
as the "score" for both the sound and wall mural for this
exhibition. Using the drawing as a guide, Hodges assigned each student
a color and corresponding note and asked them to "sing" that
color. He then wove together the recorded notes allowing the students'
individual voices to guide the melody. Hodges also used the drawing
to create the site specific wall mural. Here the drawing's colors are
visually translated into 147 vibrant vertical painted stripes that flow
down the hallway and wrap into the gallery in which one experiences
the encompassing union of color and sound.
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Jim Hodges, colorsound, 2003, installation at the Addison Gallery
of American Art
Echoing
the collaborative process between artist and students, the mural and soundtrack
work in concert to give voice to color and shape to sound. Composed of
elements familiar and universal, yet also rich with meaning and association,
colorsound is at once accessible and poetic. With this project, Hodges
offers us a fresh view of the familiar by revealing a harmonic balance
between the simple and complex, the random and predetermined, the individual
and communal.
This exhibition has been supported by generous contributions from the
Norton Family Foundation, the Joseph Persky Foundation, The Poss Family
Foundation, and Sandra A. Urie.
The Addison Gallery and the artist would like to extend a special thank
you to the participating students and faculty from Lawrence High School
and Phillips Academy without whose participation the realization of colorsound
would not have been possible.

Jim Hodges, colorsound (detail), 2003, installation
at the Addison Gallery of American Art
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