Addison Gallery front view Paul Manship, Venus Anadyomeme, 1927 Winslow Homer, Eight Bells, 1886
 


 

spacer

Winter 2001 Exhibitions

bar
Reinventing the West: Photographs by Ansel Adams and Robert Adams
January 2ÐMarch 25, 2001

Reinventing the West features the work of landscape photographers Ansel Adams (1902Ð1984) and Robert Adams (b. 1937). Representing different generations and aesthetics, this exhibition explores each artist's personal response to the American landscape and reveals how their photographs reflect the broader issues of societyÕs changing views of the natural world and in particular the Western landscape. The Addison will publish a fullly illustrated catalogue with essays by curator Allison Kemmerer and John Stilgoe, Orchard Professor in the History of Landscape Development at Harvard University.

bar

The American Land:
Selections from the Addison Collection
January 19ÐApril 2001

Consisting of approximately sixty-five paintings, drawings, watercolors, and photographs dating from the nineteenth to the early twentieth century and belonging to the Addison Gallery, this exhibition proves the power of the American landscape to inspire artists over time. Artists include John James Audubon, Albert Bierstadt, George Inness, Carleton Watkins, Winslow Homer, Childe Hassam, George Bellows, and Marsden Hartley.

bar

Marsden Hartley
Jotham's Island (now Fox), Off Indian Point, Georgetown, Maine, Mouth of Kennebec River, Sequin Light at Left, 1937
Oil on board, 22-13/16 x 28-13/16"
Unsigned
Museum Purchase 1938.41

© Addison Gallery of American Art

 

 

 

spacer

 

spacer

Robert Adams (b. 1937), Untitled from What We Bought:
The New World
(Scenes from the Denver Metropolitan Area)
1970-1974, gelatin silver print, Yale University Art Gallery
The Janet and Simeon Braguin Fund

bar

Foundations: Building the Addison's Collection
January 12-April 8, 2001

This exhibition will focus on the generous patronage that has marked the Gallery's first seventy years. Phillips Academy alumnus and founder of the Addison, Thomas Cochran, brought works such as Thomas Eakins' Salutat and Winslow Homer's Eight Bells to the collection. Among the Addison's early patrons, Lillie Bliss, Stephen Clark, and Candace Stimson contributed a number of important paintings by Arthur B. Davies, Walt Kuhn, Winslow Homer, and Edward Hopper. The exhibition will also highlight donations from artist alumni Carl Andre and Frank Stella, The Feldman Family, Jacob and Ruth Kainen, William and Saundra Lane, and Betsy Senior, including works by John Graham, Franz Kline, John Chamberlain, Mark Rothko, Agnes Martin, and Sol LeWitt. The masterworks in this exhibition attest to the foresight of the AddisonÕs patrons and their dedication to the role that art plays in the life of the school and community.
bar
Elson Artist-in-Residence Project:
Jose Bedia
January 12-March 25 2001

This winter, artist-in-residence Jose Bedia will create a site-specific installation at the Addison. Bedia's work reflects his interests in Afro-Cuban and Native American religions. His art cuts across media, from drawings to large-scale paintings on canvas to installations. BediaÕs installations often depict elongated, silhouetted figures with text that he paints directly on gallery walls and accents with a variety of materials--ranging from animal pelts to car parts. Bedia's work has been described as primal--integrating symbolism and ritual through a combination of objects and dramatic, gestural painting. In recent years, Cuban-born Bedia has enjoyed a spirited international following, including a show at SITE Santa Fe, a retrospective at the Museo de Art Contempor‡neo in Monterrey, Mexico, and a commission at the Birmingham Museum of Art. His work is in museum collections worldwide, including the Whitney Museum of American Art, the Philadelphia Museum of Art, and the Fogg Art Museum.
bar


addison gallery of american art | phillips academy | andover | massachusetts | 01810
978 749 4015 | addison@andover.edu | © addison gallery 2000-07